The After and Before forum is organised by Stacy Fischer, it is a place where amateurs as well as seasoned photographers explain the wow and how about their photo and editing decision.You can read more here about how to take part.
When taking macro photos something that becomes your greatest enemy is depth of field. The closer you get to the subject the shallower the depth of field becomes. One of the ways to combat this is by using Photoshop and focus stacking. Focus stacking is when you layer a series of shots on top of each other and Photoshop calculates what is sharp and what is not, if Photoshop doesn’t want to play ball then you can always do this by hand.
When I was taking my shots of these bugs I was in the shade of a small wood; there were beams of light shining through but not hitting my subject. I was shooting at ISO 800 and f5.6, I can shoot lower but if I did the depth of field would start to become very shallow indeed. I would have preferred to shoot at f8 or f16, this however would have reduced my shutter speed; I was shooting at 1/125 with a + one stop exposure compensation (I used exposure compensation because earlier shots were slightly leaning towards the shadows and I was shooting using Av mode) I could have gone down one stop if I needed to, any lower and I would begin to get camera shake. I also needed to shoot with a burst as the bugs were moving and I knew I would be using focus stacking when editing and wanted their movement to a minimum. I focused on the nearest part of the subject and then took photos each time slightly changing my focus.
Before any editing I imported my series of images into Photoshop and used auto align (Edit- Auto Align) for Photoshop to line up my pictures, since I was shooting free hand there were slight movements between frames.
I did use Photoshop Focus Stacking but the result was a little strange with bits of bugs here and there. I instead turned off all the layers except the background layer and then turned on layer, looked at what was sharp, added a hide all layer mask (all black layer mask) and painted white onto the sharp areas. I continued this with all my layers. I would recommend doing this slowly. I used my tablet and stylus when doing this for added control.
Once focus stacking was complete I wrapped all the layers into a smart object and used Nik Soft Define 2 to reduce noise and Shake Reduction filter for capture sharpening.
Although I liked the composition, the bug on the top is looking right and the negative space is to the left. I decided to flip the picture to reverse the position of the negative space. I merged all that was visible into a new layer (shift +control +alt +E) and used free transform to flip the layer.
Obviously just by flipping the layer the bug is still looking in the wrong direction. Using the square marquee selection tool, I selected the bugs copied onto a new layer and flipped this back the right way. This did leave an obvious seam that I masked out. There was also a clear difference in colour and light between the copied bugs and the flipped layer. I created a levels adjustment and colour balance adjustment above the flipped layer and blended the colours back together.
On saving the picture was automatically imported back to Lightroom. I started with camera calibration to get the overall tone I wanted.
I then adjusted the saturation and vibrance to make the colour pop.
I added a slight curve to lighten the shadows but kept the highlights in check. I also raised the saturation of the oranges and reds selectively.
I added a little bit of sharpening as well as noise reduction just to make sure the tones were sharp.
Finally I made some basic adjustments to brighten the whole image. This is a step I usually do first, but I really wanted to make sure the colours were right and then play with light.
Finally I cropped the image in a bit. I had some leeway because as you focus stack you usually make the image slightly bigger.
Apart from being happy that I got quite a few details very sharp I also like the final composition of the image and my eye is continuously drawn to the bug on the top. As with all macro shots I think this one will look best printed big.
Let me know in the comments below what you think of the final image.
Also please head over to Stacy’s blog to see the other participant’s entries into this weeks forum
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Excellent photo, excellent explanation.
Thanks Victor, it means a lot coming from you.
WOW this is wonderful Ben . These little bugs are fascinating with their see through shell coats ..
I need to come back and take in all the steps to try myself .Thanks for sharing the technique 🙂
My pleasure Poppy, glad you like the pictures, I am still not 100% sure that they are called but I would have thought the opaqueness of their shells would put them as young. Not sure.
Thanks for taking the time to comment.
Great process! Thank you for explaining the process. 🙂
Thanks Amy I hope the process will come in useful in the future
It will be very helpful! I use Lr most of the time. Thank you for introducing the power of digital darkroom. 🙂
I think Lightroom is great and really it is where i like to edit but Photoshop allows you to do a lot. Lightroom 6 will, from what i have read, allow you to do a lot of the scripted actions like HDR and Panoramas that will mean even less editing in Photoshop.
To creepy and crawly for me. Great edit though. 🙂
A bit like the spider I shared on the forum a few months ago and Stacy asked me to put in the email if there was going to be spiders in the future. I can understand them creeping people out.
Morning Ben .. You do this with such ease. I can’t get my head around PS layers .. Oh dear
Best way I was ever demonstrated layers was with plastic sheets. They placed a picture on the bottom then placed plastic sheets on top each one a different colour. As the plastic sheets layer up the picture changes. Masking can become the more complicated area of layers. Thus was explained by then selectively cutting the plastic sheets.
Thank you 😀
I will be covering layers more in the digital dark room series.
Love the bug on the top 😀
Great photo and explanation.
Thank you Raewyn.
Great picture, the bugs look really sharp and clear and the little chap on top is better looking into the space! Thanks for the clear explanation too.
Pleasure Katie, the guy on top and the space to the side is what I think really pulls the composition together. I was really excited when I saw how sharp details were.
Excellent result!
Thank you, sometimes the result is worth the work.
amazing photo and explanation as always! I need to take more time to use photoshop on my photos. Sometimes, it seems like such a daunting task. I’m used to working with the PS layers and have done some masking, but I’ve never done the stacking with bursts like you do. Once again, I’ve learned something new 🙂
Wonderful explanation, Ben, as you always do. Robin told me back in the fall how useful a tablet and stylus is when editing, so to hear you say that’s what you used piques my curiosity into looking into it more. I don’t know if it’s needed as much in LR, but for what you’ve done here, I’m sure it was indispensable. Great final image, including the flipping of the bug!
A style is useful for precision, I only use it in lightroom when making local brush adjustments. There are many different types of stylus, the one I use is very basic.
Amazing, I love macro images of bugs, they are so fascinating. Your editing process and explanation are flawless as usual. Ha, you flipped the image! 🙂